Please bring up to date me around some of the high-status equipment for professional photographers?
-please don't give me something too philosophical, i just want to know almost them briefly
-useful webs are also welcome but please don't present me advertisements
thanks
Answers:
um.... a camera?
it really depends on what type of photography you plan to do. the camera and all the other things a pro photog uses are merely tools. they have to be the right tools for the job...
its kinda approaching choosing a screwdriver. length, size, tip, handle, material adjectives make a difference to do the job correctly and competently.
Any DSLR, variety doesn't matter. What does matter more than anything else is the aspect of lenses. Lens quality is the single most important component.
The simply real difference in feature when talking cameras for professional use is sensor size or more accurately pixel density. An APS size sensor of 6Mp will be better than an APS sized sensor of 10Mp unless you envisage really large prints. A full frame sensor can knob 14Mp before pixel density becomes an issue. You will acquire a wider tonal range (and more exposure latitude), with smaller amount noise from a sensor which has lower pixel density. This is the megapixel myth from the hoarding boys. More megapixels doesn't mean a finer image it a moment ago means you can print bigger, the ad men don't narrate you the downside of lots of megapixels. Up to A4 with an APS sensor a 6Mp camera will yield better results, at A3+ the 10Mp have the edge. A 14Mp full frame sensor is good for adjectives sizes up to A1.
You must know exactly how your camera is going to react in adjectives conditions, all weathers, bright or see, natural light or flash, studio shots or on location. No fumbling, no trying this or that, you should own done that before. Handling your camera should be like driving your coup¨¦, you can change settings without need to think about it, it should be autonomous. They lone way to get to this height is by taking pictures, loads of them.
Chris
It depends what you're shooting. A common commercial photographer's equipment might include:
-A sturdy tripod (bogen) with several heads
-35mm, milieu, and large format cameras (digital or with digital backs), and backup cameras and various lenses
-various light stands (c-stands, rolling stands, light stands, etc)-many of those
-softboxes of adjectives shape and size
-light systems (norman, dynalites, profoto, elinchrom, hensel, etc) with several heads and modifiers
-silks, flags, reflectors, grids, color gel
-laptop and many external hard drives for the road; more computers within the office for post processing work (unless outsourced)
-all sorts of tools and tapes to rig or fix things for on-location shooting
-lots of pocket wizards
-first aid tackle
-cf cards
For a photojournalist:
-2 camera bodies (either canon or nikon 1d or d3 series - single digits)
-A wide, medium, and tele lens to cover anywhere from 16-200mm variety; sometimes a fisheye or super tele is carried depending on assignment
-2-3 flashes with color gels, pocket wizards
-laptop, external HD, wireless background connection
-first aid kit (usually stays within car)
-lots of cf cards
-extra batteries
-redundant IDs
The first list might run you lower than $100k, and the second around $30k. Photogs typically borrow from the office (newspapers) or rent, especially in NY.
Related Questions:
Need a New equipment for American Football , Where is the best Shopper within Los Angeles?
Is appropiate to speak New Release for an electronic equipment?
What be the standard issue equipment for an Italian Soldier contained by WWI?
Good Tips On Losing Weight Without Equipment or Spending Money?
What exercises should I do near this equipment?
-useful webs are also welcome but please don't present me advertisements
thanks
Answers:
um.... a camera?
it really depends on what type of photography you plan to do. the camera and all the other things a pro photog uses are merely tools. they have to be the right tools for the job...
its kinda approaching choosing a screwdriver. length, size, tip, handle, material adjectives make a difference to do the job correctly and competently.
Any DSLR, variety doesn't matter. What does matter more than anything else is the aspect of lenses. Lens quality is the single most important component.
The simply real difference in feature when talking cameras for professional use is sensor size or more accurately pixel density. An APS size sensor of 6Mp will be better than an APS sized sensor of 10Mp unless you envisage really large prints. A full frame sensor can knob 14Mp before pixel density becomes an issue. You will acquire a wider tonal range (and more exposure latitude), with smaller amount noise from a sensor which has lower pixel density. This is the megapixel myth from the hoarding boys. More megapixels doesn't mean a finer image it a moment ago means you can print bigger, the ad men don't narrate you the downside of lots of megapixels. Up to A4 with an APS sensor a 6Mp camera will yield better results, at A3+ the 10Mp have the edge. A 14Mp full frame sensor is good for adjectives sizes up to A1.
You must know exactly how your camera is going to react in adjectives conditions, all weathers, bright or see, natural light or flash, studio shots or on location. No fumbling, no trying this or that, you should own done that before. Handling your camera should be like driving your coup¨¦, you can change settings without need to think about it, it should be autonomous. They lone way to get to this height is by taking pictures, loads of them.
Chris
It depends what you're shooting. A common commercial photographer's equipment might include:
-A sturdy tripod (bogen) with several heads
-35mm, milieu, and large format cameras (digital or with digital backs), and backup cameras and various lenses
-various light stands (c-stands, rolling stands, light stands, etc)-many of those
-softboxes of adjectives shape and size
-light systems (norman, dynalites, profoto, elinchrom, hensel, etc) with several heads and modifiers
-silks, flags, reflectors, grids, color gel
-laptop and many external hard drives for the road; more computers within the office for post processing work (unless outsourced)
-all sorts of tools and tapes to rig or fix things for on-location shooting
-lots of pocket wizards
-first aid tackle
-cf cards
For a photojournalist:
-2 camera bodies (either canon or nikon 1d or d3 series - single digits)
-A wide, medium, and tele lens to cover anywhere from 16-200mm variety; sometimes a fisheye or super tele is carried depending on assignment
-2-3 flashes with color gels, pocket wizards
-laptop, external HD, wireless background connection
-first aid kit (usually stays within car)
-lots of cf cards
-extra batteries
-redundant IDs
The first list might run you lower than $100k, and the second around $30k. Photogs typically borrow from the office (newspapers) or rent, especially in NY.
Related Questions: